Melchior de Magiër
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The Chinese Year of the Rabbit Explodes into Being
As 1.4 billion Chinese people celebrated the Lunar New Year yesterday — cameraman Paul Morris, journalist Kit Gillet and myself packed our bags to capture the remarkable pyro-chaos that welcomed the Year of the Rabbit.
According to ancient Chinese mythology, an evil spirit known as Nian (年) would terrorize villagers on the first day of the new year. To protect themselves, villagers would create loud noises to ward off the evil spirit. Millennia later, the Chinese still uphold this tradition by setting off fireworks continuously for a two week period.
Unlike in the West, where firework safety is paramount, safety is far from people’s minds in China, where fireworks are set off within high-rise compounds, tossed on the floor, set off in narrow alleys, and even thrown at friends in the spirit of good humor.
To capture the spirit of the Spring Festival, the three of us hit the alleys, streets and roofs of Beijing to capture the pyrotechnique display put on by the Chinese people. The truly remarkable aspect of the events that take place on New Year’s Eve is that all of the fireworks you see in the video are bought and set off by regular Beijingers – a perfect visual representation of the overwhelming size of China’s population. This creates a unique organized display of chaos which lights up the sky and echoes through the streets of China.
Our goal in filming the event was to show this organized chaos and grab some colorful frames. We were packing …
Canon EOS 5D Mark II
Canon EOS-7D
Canon EF 70-200mm f/2.8L IS USM
Canon EF 24mm f/1.4L II USM
Canon EF 50mm f/1.2L USM
Canon EF 24-70mm f/2.8L USM
Canon EF 14mm f/2.8L II USM
Canon Extender EF 2X II
De-Clicked Custom Tamron 24mm F/2.5
190Cx Carbon Fibre Q90 4-section Tripod
Manfrotto 3021 Pro Tripod with Manfrotto 3047 Head
Dan’s old 20″ compact slider, made in Singapore
Custom Jag 35 Straight Rig with Red Rock microHandGrip
F-Stop Gear Tilopa Backpacks
During hours of close-up filming, we were subjected to flying debris, ear-splitting explosions, and even the occasional stray firework that would ricochet off lenses, nearby cars and even my ass.
Technically shooting at night can be a bit tricky. Our ISOs ranged from 400-3200. We found with higher ISOs a lot of images came out with a cooler color temperatures or blue color casts. In the case of shooting fireworks, this isn’t such a bad thing. Most of our frames had a large variance in color anyway. With a few of the close-up shots involving rapid firework explosions the cameras had issues with the rolling shutter.
blog.jonahkessel.com/2011/02/04/yearoftherabbit/
As 1.4 billion Chinese people celebrated the Lunar New Year yesterday — cameraman Paul Morris, journalist Kit Gillet and myself packed our bags to capture the remarkable pyro-chaos that welcomed the Year of the Rabbit.
According to ancient Chinese mythology, an evil spirit known as Nian (年) would terrorize villagers on the first day of the new year. To protect themselves, villagers would create loud noises to ward off the evil spirit. Millennia later, the Chinese still uphold this tradition by setting off fireworks continuously for a two week period.
Unlike in the West, where firework safety is paramount, safety is far from people’s minds in China, where fireworks are set off within high-rise compounds, tossed on the floor, set off in narrow alleys, and even thrown at friends in the spirit of good humor.
To capture the spirit of the Spring Festival, the three of us hit the alleys, streets and roofs of Beijing to capture the pyrotechnique display put on by the Chinese people. The truly remarkable aspect of the events that take place on New Year’s Eve is that all of the fireworks you see in the video are bought and set off by regular Beijingers – a perfect visual representation of the overwhelming size of China’s population. This creates a unique organized display of chaos which lights up the sky and echoes through the streets of China.
Our goal in filming the event was to show this organized chaos and grab some colorful frames. We were packing …
Canon EOS 5D Mark II
Canon EOS-7D
Canon EF 70-200mm f/2.8L IS USM
Canon EF 24mm f/1.4L II USM
Canon EF 50mm f/1.2L USM
Canon EF 24-70mm f/2.8L USM
Canon EF 14mm f/2.8L II USM
Canon Extender EF 2X II
De-Clicked Custom Tamron 24mm F/2.5
190Cx Carbon Fibre Q90 4-section Tripod
Manfrotto 3021 Pro Tripod with Manfrotto 3047 Head
Dan’s old 20″ compact slider, made in Singapore
Custom Jag 35 Straight Rig with Red Rock microHandGrip
F-Stop Gear Tilopa Backpacks
During hours of close-up filming, we were subjected to flying debris, ear-splitting explosions, and even the occasional stray firework that would ricochet off lenses, nearby cars and even my ass.
Technically shooting at night can be a bit tricky. Our ISOs ranged from 400-3200. We found with higher ISOs a lot of images came out with a cooler color temperatures or blue color casts. In the case of shooting fireworks, this isn’t such a bad thing. Most of our frames had a large variance in color anyway. With a few of the close-up shots involving rapid firework explosions the cameras had issues with the rolling shutter.
blog.jonahkessel.com/2011/02/04/yearoftherabbit/
